KAJX

Chris Mohr

The final concert of the season on Sunday August 18 at 4:00 pm is Mahler's Symphony No. 2, one of the most vast, complex, intimate, personal, despairing, triumphant pieces ever composed. Alan Fletcher talks with the two vocal soloists in this week's High Notes. Alan also talks with pianist Jonathan Biss.

Alan Fletcher talks about Renee Fleming and Patrick Summers and plans for next year's opera program. We also catch up with harpist Nancy Allen, violinist Stefan Jackiw, and composer Christopher Theofanidis.

Guitarist Sharon Isbin talks about her new CDs, her upcoming concert with Jessica Rivera, the importance of immigrants to our country, and much more.

Missy Mazzoli, composer of the one-act opera Proving Up, talks about life in the prairies in the nineteenth century when the Homestead Act was giving out free land to families who could prove themselves up.

A first ever broadcast of an excerpt of one of Sharon Isbin's Rumi collaborations with Isabel Leonard is also included.

Join High Notes with Alan Fletcher, Alisa Weilerstein, Colin Currie and Inon Barnaton as they discuss their  upcoming concerts.


Aspen  Public Radio's Chris Mohr chats with violinist Simone Porter, opera directorf Ed Berkeley, the piano/cello duo of Wu Han and David Finckel, and pianisst Anton Nel. A bust week of music at the Festival!  

Summer classical music host Chris Mohr is coming up to Aspen for his sixth summer on Aspen Public Radio. He has loved classical music since he was twelve.

“And I owe it all to radio,” Chris explains. “I grew up in a farm town east of Cleveland. Most of the music I heard growing up was Herb Alpert and the Tijuana Brass, Louis Armstrong, Frank Sinatra, and other favorites of my parents. 

Aquatic Berlioz Image
Richard Termine

Music's most famous stalker, Hector Berlioz, composed his Symphonie  Fantastique to impress a famous actress after suicide threats and impassioned letters failed to move her. The symphony tells the  story of a despiairng man poisoning himself with opium and having a series of dreams of ever-escalating sexual madness until he murders his beloved.

Alan Fletcher in conversation with Tenor Richard Smagur and conductor Jane Glover in anticipation of performances of Das Lied von der Erde on Sunday August 5, and a Tchaikovsky/Haydn chamber orchestra concert Friday August 3.