It’s the quiet awe of wild places that most animates Natalie Spears’ music. Outside her home in Colorado’s Roaring Fork Valley, she listens to the language of birds, notices patterns of migration and sees the cosmos in the countryside. For Spears, nature offers a constant invitation to open the aperture of life to something wider, something wilder. Her forthcoming album, “The Hymn of Wild Things,” (out June 7) chronicles her experience of wonder, loss and metamorphosis. This is a collection of songs about the intimate corners of humanity, hers and ours alike. With a quiver of instruments (banjo, piano, guitar), she threads opposites together: love with loss; tradition with innovation; and the human experience with the more-than-human world.