Cultural Events Calendar

The Summer Series program features some of the most influential artists of our time, exploring the work of world-renowned creators in conversation with today’s leading critics, curators, and collectors. Join us for a conversation in Schermer Meeting Hall at Anderson Ranch Arts Center with Athena LaTocha and Valerie Cassel Oliver.

Summer Series lectures are free, open to the public, and available in person or via livestream.

Athena LaTocha (b. Anchorage, Alaska) is an artist whose works on paper explore the relationship between human-made and natural worlds. The artist incorporates materials such as ink, lead, soils and wood, looking at mark-marking and displacement of materials made by industrial equipment and natural events. Her works are informed by her upbringing in the wilderness of Alaska. LaTocha’s process is about being immersed in these environments, while responding to the storied and, at times, traumatic histories that are rooted in place.

Valerie Cassel Oliver is the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts. Prior to her position at the VMFA, she was Senior Curator at the Contemporary Arts Museum Houston (2000-2017). At the Contemporary Arts Museum Houston, Cassel Oliver organized numerous exhibitions including the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Radical Presence: Black Performance in Contemporary Art (2012) and major survey exhibitions for Donald Moffett; Benjamin Patterson, Jennie C. Jones, Angel Otero and Annabeth Rosen.

Camille Henrot brings her interdisciplinary practice to the stage for the first time with the world premiere of Commedia dell'arte. Co-commissioned by Performa, Aspen Art Museum / Wheeler Opera House, and LYRA Art Foundation, Henrot's performance incorporates the stock characters and comic ploys of the Italian Renaissance theatrical tradition within a modern day New York City apartment building. The delivery of a package triggers a cascade of uncanny events among tenants, as the tragi-comedic play attempts to make sense out of the senseless, ultimately collapsing into it.

Please visit airaspen for more information

Advance reservations for this event will open on June 29 at 12 PM.

The 10_10 Name Unseen Silent Auction is an exhibition showcasing local artists who have generously donated a 10_10 artwork. All panels are available for bidding starting at $100. All proceeds from the auction and pARTy go to support the Art Base’s efforts to make art and creativity available to all.

On view: July 31 to August 15, 2026
Opening Reception & Artist Talk: Friday, July 31 from 5 PM- 7 PM

This program takes place in Schermer Meeting Hall and includes a lecture and discussion. Free and open to the public, registration is required. Join three Anderson Ranch faculty members for a lively conversation exploring how diverse cultural perspectives shape artistic practice and community. Artists Jean Shin (Seoul, South Korea), Juana Estrada Hernandez (Mexico), and Yana Payusova (Leningrad, USSR) bring their experiences as instructors in higher education in the US to a discussion centered on identity, materiality, heritage, and belonging.

The Summer Series program features some of the most influential artists of our time, exploring the work of world-renowned creators in conversation with today’s leading critics, curators, and collectors. Join us for a conversation in Schermer Meeting Hall at Anderson Ranch Arts Center with Aliza Nisenbaum and Jane Panetta.

Summer Series lectures are free, open to the public, and available in person or via livestream.

Together, Sam, Hunter, and Sara have a more than twenty five year connection to the Roaring Fork Valley and Western Colorado. Being connected to the land has been paramount to our development as artists and human beings. Hunter Hogan’s works on canvas, Sara Ransford’s paper clay wall pieces and Sam’s clay constructions all connect on various levels, their individual voices interpreting the landscape, their view of the natural world and experiences connecting them as artists.

On view: August 28 to September 25, 2026
Opening Reception & Artist Talk: Friday, August 28, from 5 PM- 7 PM

This exhibition features a curated selection of 12-14 of the artist’s most compelling black-and-white photographs of Mount Sopris, captured over the past 15 years. Each image is presented as a metal print ranging from 20×30 to 30×45 inches, including both horizontal and vertical compositions, with several works offered as multi-panel installations.

On view: October 2 to October 30, 2026
Opening Reception & Artist Talk: Friday, October 2 from 5 PM- 7 PM

Rooted in traditional representational painting, Kinsley’s style has evolved to amplify Nature’s sensual forms, some obvious, others obscure. One curator calls his work “voluptuous.”

In oil, he paints his smaller pieces plein air. Larger pieces begin as field sketches that establish composition, which he amplifies in the studio as sinuous natural shapes. These two-steps allow him to see on-site the convergence of subtle shapes that photos often miss, then interpret and refine the shapes more deliberatively in the studio.

On view: October 2 to October 30, 2026
Opening Reception & Artist Talk: Friday, October 2 from 5 PM- 7 PM

Chris Hassig (b. 1987) is an artist and community leader based in Carbondale, Colorado, whose intricate drawings and prints blur the boundaries between landscape, abstraction, and imagined worlds. Rooted in a lifelong fascination with mapping and mark-making, Hassig’s work ranges from expansive multi-panel etchings of his fictional country, Saiopor, to densely detailed ink drawings inspired by close observations of nature.

On view: November 6 to December 4, 2026
Opening Reception & Artist Talk: Friday, November 6 from 5 PM- 7 PM

Rachel Becker brings a series that explores weaving, webs, and networks as structures that connect, hold, and move vital energy. Constructed from found and foraged materials: branches, plant fibers, fishing line, and produce netting, the lightweight hanging sculptures reference nets, tapestries, and natural systems. Installed as an immersive canopy, the works invite visitors to step inside the visible and invisible networks that shape our world, from mycelial pathways to the “World Wide Web.”

On view: November 6 to December 4, 2026
Opening Reception: Friday, November 6 from 5 PM- 7 PM