Producer and engineer Rich Mouser built his recording studio, The Mouse House, more than two decades ago — it was part of his home in the Altadena hills. The space featured 35-foot ceilings, soundproofed isolation rooms and a library of vintage recording gear that the 63-year-old musician had been collecting since he was a teenager. A year ago, the Mouse House burned to the ground in the Eaton fire.
"I went through and started making a list and adding it up. It's got to be close to half a million [dollars] in lost equipment," Mouser tells NPR. "In hindsight, if I had known the house was going to burn down like that, I would have gone to great more lengths to get stuff out."
The Los Angeles wildfires destroyed more than 16,000 homes and businesses. Mouser, who has worked with bands including Weezer, Dream Theater and Spock's Beard, is one of countless musicians doubly impacted by the natural disaster. He not only lost the house for which he'd finished paying off the mortgage and everything inside it; suddenly, a large chunk of his livelihood also vanished.
"Three days after the fire, I went to London to run sound for some live shows. A lot of people were like, 'Are you really going to go? You have to cancel,'" Mouser remembers. "I thought, 'This might be the only work I have for who knows how long, so I'm going to go do it.'"
Adron McCann, a singer-songwriter, visual artist and audio producer who performs as Adron, was facing a similar uncertainty. She'd been renting half of a duplex in Altadena with her partner, who is also a working musician, for two years when the Eaton fire tore through their home. Overnight, the couple lost virtually all their personal belongings — including McCann's three treasured aquariums — as well as their at-home studio setup. A lifetime's worth of gear, instruments, paintings, vinyl albums and a collection of vintage synthesizers disappeared.
"I'm still working on just the personal grief of it, the whole story," McCann says. "And so trying to put the pieces back together professionally — it's just really, really blended with our personal lives."
Starting to piece things back together
Immediately, friends and family for both Mouser and McCann sprung into action, setting up GoFundMe pages that raised tens of thousands of dollars. Mouser says he initially purchased core items needed to get back to work: a graphic equalizer, Neve microphone preamps, a portion of the same model of mixing board he lost in the fire. Fellow musicians loaned him studio spaces, equipment and helped him scour the internet for gear. Much of what he lost is irreplaceable, he says, or has significantly gone up in value since he bought it decades ago.
McCann says her community has majorly stepped up, too. Through the generosity of friends and strangers — including comedian Fred Armisen, who donated a couple of his guitars — McCann and her partner have been able to continue playing gigs. Artists share resources about grants and other rebuilding efforts, leaning on one another to find housing, work opportunities and instrument replacements. None of this, McCann says, would be possible without being plugged into their local music scene.
"I'm really aware of the trade-offs that we make as musicians," McCann says. "We trade off stability and security, but we gain friendship and community and the care and concern of people very far away who we don't even necessarily know in person, but they are moved by the art we make, and so they come to us when we're hurting."
Both McCann and Mouser say they've received support from a wide patchwork of colleagues, mutual aid networks and official relief organizations, all working together to address the ongoing needs of wildfire survivors as time passes. That includes government agencies like FEMA and Los Angeles County, nonprofits like Guitar Center Music Foundation and MusiCares, and more grassroots collectives like Altadena Musicians, an instrument-giving network started by composer Brandon Jay.
Myka Miller, the executive director of Guitar Center Music Foundation, says that for the first six months of 2025, the organization fulfilled grants for over 700 people to replace lost or damaged equipment, in addition to supplying instruments to 15 affected schools and community organizations. Miller says it's the largest natural disaster relief effort the nonprofit has tackled in recent history. "What was surprising to me was that a lot of people were asking for studio gear overwhelmingly," Miller tells NPR. "Studio monitors and microphones were one of the top things — DJ equipment, that kind of stuff."
One of Guitar Center's partners has been MusiCares, the nonprofit founded by the Recording Academy to support the financial, mental and physical wellbeing of people in the music industry. The organization says that since the wildfires broke out last year, it's provided more than $15 million in assistance to over 3,200 music professionals. In December, the nonprofit hosted a health and wellness clinic in Altadena for industry professionals impacted by the fires. The event offered physical therapy, vision and hearing screenings and opportunities for survivors to connect with one another over the ongoing challenges of finding a new normal. Executive director Theresa Wolters says these kinds of spaces — and a focus on mental health specifically — will be a big part of the work going forward, along with ongoing financial help.
"It is not too late to access support. We are still here," Wolters tells NPR. "We know that so many people are just now starting to come up for air through this disaster. They're just now starting to figure out what they need and what kind of assistance they might benefit from."
Looking ahead
As the anniversary of the fires passes, Wolters emphasizes that recovery is a long and nonlinear process. While some artists have made significant progress, others are still operating on survival mode.
Today, Rich Mouser and his wife are renting a house with a converted garage that doubles as Mouser's temporary studio. He's been able to continue his work mixing albums, touring with bands and is getting used to the newer equipment.
He's also working with an architect and sound engineer on rebuilding plans for his permanent home and studio in Altadena. They'll be prioritizing concrete over wood in case of future fires, he says, and are planning on a few improvements, like building a separate entry for The Mouse House so musicians don't have to walk through his kitchen to enter the studio. Mouser hopes building can begin within several months so the project is completed by summer or fall of 2027.
Insurance and relief aid are currently covering his rent, but he's worried that won't last all the way until the new house and studio are ready. Finding and applying for grants, he half-jokes, is a full-time job of its own. "We need this place because it's got this back house where I can work," Mouser says. "If we didn't have this situation, we could move into a smaller apartment, but I'm able to work out here and generate income."
McCann and her partner, on the other hand, are still taking things day by day. They are no longer living in their dream neighborhood of Altadena, but they're settled into a new rental home for now. Due to federal funding cuts to public radio, she recently lost a significant portion of her income as a producer for WABE, leading to more fear and uncertainty. Songwriting, she says, has taken a backseat for now.
"We're still not done recovering in the immediate sense. We're still not done trying to figure out home and gear and recording and our basic building blocks of our life we're still working on," McCann says. "I'm just going to keep trying to get a more stable foundation under my feet. But as an artist, that's a surprisingly comfortable place for me."
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