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  • Richard Armitage says he never said the United States would bomb Pakistan if the country didn't help in the fight against the Taliban and al-Qaida, as Pakistan President Musharraf told CBS' 60 Minutes.
  • The Grammy-winning songwriter has a new album and is embarking on a nationwide tour this summer.
  • There are two kinds of people in the portion of North Carolina surrounding Durham and Chapel Hill: Duke fans and North Carolina fans. Will Blythe is NOT a Duke fan. He writes about his obsession with a college basketball rivalry in a new book.
  • Ukrainian President Volodymyr Zelenskyy called the visit a signal of bipartisan support from the U.S. Congress. The meeting took place as Ukraine said it had forced Russian troops away from Kharkiv.
  • John Fogerty — once lead singer of Credence Clearwater Revival and now a solo artist — has buried the hatchet with his record label. The result is a new greatest hits CD called The Long Road Home.
  • Nearly 35 years after her self-titled debut album, Bonnie Raitt is still moaning the blues. Her latest album, Souls Alike, features her trademark slide guitar, which she says can produce "the saddest sound you've ever heard."
  • Williamstown Theatre Festival in western Massachusetts offers a summer program that has been called "theater boot camp." British-trained actor Roger Rees is the company's new artistic director.
  • The young singer, part of a wave of British female pop stars finding success in the U.S., has been compared to Dusty Springfield and sparked rumors that her father is fellow Wales native Tom Jones. She talks about the tiny town where she grew up, and recording her first demos on a karaoke machine.
  • The singer and songwriter's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931.
  • Last November, for the first time in his career, Morrison revisited his second album, Astral Weeks, in concert. The result, Astral Weeks: Live at the Hollywood Bowl, arrives this week, offering a fresh take on one of the key recordings in late '60s rock.
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